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Iām Alex Kaplan, a Headshot Photographer and videographer based in New Milford, NJ, serving Northern.
Short answer: Solid colors, well-fitted clothing, one notch dressier than your daily work uniform. Navy, charcoal, deep green, burgundy. Skip pure white, pure black, busy patterns, and anything new you haven’t worn before. Bring two or three options.
That’s the whole post in 40 words. The rest is the why, the industry-specific calls, and the small choices that separate a headshot that gets used for five years from one you replace in six months.
Quick Answer: What Should You Wear for Professional Headshots?
I’ve photographed more than 15,000 headshots across Northern NJ, NYC, and the Hudson Valley over 30 years. The wardrobe questions don’t change. The answers below are what I actually tell clients on prep calls.

Before colors, before fit: where is this headshot going to show up?
A LinkedIn headshot for a Bergen County attorney has different requirements than a branding portrait for a Hudson Valley wellness coach. Your wardrobe should match the room you’re trying to walk into.
The rule I give clients: dress one notch above your daily work uniform. If you wear button-downs to work, add a blazer. If you wear blazers, sharpen it with structure. If you wear scrubs, the white coat goes over professional attire. Not over the scrubs.
Overdressing reads costume. Underdressing reads careless. One notch up reads intentional.
When clients book professional corporate headshots in NJ or NYC through my studio, this is the first thing we talk through on the prep call.
Solid, medium-to-dark colors win almost every time. The eye is pulled to whatever is brightest in the frame. In your headshot, that needs to be your face, not your shirt.
Colors that consistently photograph well:
Colors to avoid or modify:
Tight stripes, small checks, and dense prints create a moire effect on camera: wavy lines that ripple across the shirt on screens but not in real life. Once it’s in the file, removing it means softening the fabric detail. Lightroom and Photoshop can reduce moire, but they can’t restore the original texture. Easier to avoid in wardrobe than fix in post.
Texture is different from pattern. A subtle knit, a structured blazer weave, a soft cable: those add depth without competing with your face. If you’re unsure whether something is too busy, hold it up at arm’s length and squint. If the pattern still reads as a pattern, leave it home.
You don’t need designer clothing. You need clothing that fits.
In a tight headshot crop, the camera shows shoulders, collar, neckline, and the top inch of your jacket. Those four areas decide whether you look pulled-together or sloppy. A $200 blazer that fits beats an $1,800 blazer that doesn’t.
What to check before the session:
A 20-minute trip to a tailor (taking in a jacket, shortening sleeves) is the highest-ROI wardrobe move you can make before a headshot session.
This is where most “what to wear” guides go vague. The honest version:
Still the most formal industry for headshots. Dark suit in navy or charcoal, crisp white or light blue shirt, conservative tie if your firm expects one. This is one of the few industries where a tie is still standard for men, and structured blazers are standard for women. Skip novelty patterns, skip color statements. The headshot is doing a trust job. Let it.
If you’re patient-facing, the white coat over professional attire is the most-recognized trust symbol in medicine. Soft blues and greens underneath work well. If you’re administrative or non-clinical, dress like your peers: typically business or business casual.
Blazer over a solid shirt or blouse. Tie optional and increasingly skipped in modern corporate environments. Open-collar with a structured jacket is the current default for most LinkedIn corporate headshots in NYC and NJ.
Dress one notch above your daily norm. If you live in t-shirts, go fitted button-down or clean crew-neck sweater. If you’re already in button-downs, add a blazer. In current tech headshots, cashmere, layered knits, and structured casual are common. The tie usually stays home.
This is the most flexible category, which is why people overthink it. The question to answer: who is your client, and what do they need to feel about you before they call? A luxury real estate agent serving Bergen County needs polished and aspirational. A wellness coach needs warm and approachable. Same rules (solid colors, fit, one notch up) but the notch and the color temperature change with your audience.
Clean, structured, comfortable. The combinations that consistently photograph well:
Jewelry: understated wins. Small studs or delicate drops, a single delicate necklace if the pendant clears the crop. Statement earrings and heavy necklaces pull the eye away from your face.
Hair and makeup: elevated everyday. Matte finish foundation: dewy formulas read sweaty under studio light. Skip shimmer eyeshadow. Whatever you wear should look like you on a great day, not someone else on any day.
Simplicity and fit. Standard combinations that work across industries:
Skip: undershirts that show through, wrinkled collars, oversized jackets, shiny synthetic fabrics, anything with a visible logo that isn’t your own.
Grooming counts more than people think. High-resolution sensors pick up uneven beard lines, stray hairs, and dry skin that read fine in a mirror. Trim the day before, not the day of (redness needs to settle).
Glasses: if you wear them daily, wear them in the headshot. Your photo should look like the person who walks into the meeting. Bring them clean. Anti-reflective coating handles most glare; without AR coating, small angle adjustments at the camera solve it.
Layers: a blazer or jacket is the single most useful piece you can bring. It lets us shoot you in the jacket, out of the jacket, and with it on the shoulder. Three distinct looks in one session, no full outfit change.
Bring 2 to 3 complete options. Not because you’ll wear all of them, but because the outfit that looks best in your closet mirror is not always the one that looks best under studio light. The outfit clients are least confident about often photographs best.
One more thing: don’t buy something new for the session. New clothing is stiff, the fit isn’t broken in, and you’ll fidget. If you do buy new, wear it at least once first.
What colors look best in professional headshots? Solid, medium-to-dark colors: navy, charcoal, burgundy, emerald, deep teal, soft earth tones. Skip neon and busy patterns. Pure white and pure black can work in the right setup but cream and charcoal are safer defaults.
Should I wear a tie in my headshot? Depends on your industry. Finance, law, and traditional corporate leadership: yes. Tech, creative, modern corporate: increasingly no. Open-collar with a structured jacket is the current default for most LinkedIn corporate headshots.
What should I not wear for a headshot? Neon colors, busy patterns (tight stripes, small checks, dense florals), logos that aren’t your own, anything wrinkled, anything brand-new and unworn, oversized or ill-fitting clothing. Pure white and pure black are workable in the right setup but harder to get right.
What color should I wear for a LinkedIn headshot? A medium-to-dark solid in navy, charcoal, burgundy, or a jewel tone. The goal is for your face to be the brightest, clearest point in the image. Clothing that competes for attention works against your profile.
How many outfits should I bring to a headshot session? Two to three complete options. Hung, not folded. This gives flexibility for different looks and lets us pivot if a color isn’t reading well under the lighting.
Should I wear makeup for a professional headshot? An elevated everyday version of what you normally wear. Matte foundation, neutral eye, defined but not heavy. The goal is for you to look like you, not someone else. Professional hair and makeup is worth it for executive and branding sessions.
Should I wear glasses in my headshot? If you wear them daily, yes. Your headshot should look like the person people are about to meet. Lighting and angle handle most reflection issues.
I photograph professional headshots in my New Milford, NJ studio and on location across Northern New Jersey, New York City, and the Hudson Valley. Every session includes wardrobe guidance before you arrive, direction on posing and expression during the shoot, and natural retouching that keeps you looking like you.
If you’re not sure what to wear for your industry, send me a few options before the session. I’ll tell you what will work.
With 644 five-star Google reviews and 30 years behind the camera, I’ve seen every wardrobe choice imaginable. Let’s make yours count.
917-992-9097 | 201-834-4999
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